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Feb. 14 - Feb. 20, 2003

Diamonds Are a Girl’s Best Friend

Designer Mimi So breaks the ice in Manhattan

Mimi So dazzles as much with her personality as her line of fine jewelry. With grace and flair, she personally tended to each client at a showing of her work at the San Francisco Neiman Marcus, selecting a sparkling diamond piece or a glittery precious or semi-precious ensemble to match the whims and lifestyle of each woman.

The designer’s newest Sesi collection features pavé diamonds set in the shape of seven-armed starfish, in 18-karat white gold. The large starfish spins like a pinwheel on a matching pavé bracelet cuff — for a breathtaking 70-carats — and can be converted into a brooch or clipped onto beaded necklaces made with precious and semi-precious stones such as aquamarines, rubies and blue sapphires. Small starfish can be moved along multi-strand beaded bracelets that evoke the little sea critters captured in netting.

Mimi So is as unique as her designs. She is the first — and still the only female — to break into the boys’ club of Manhattan’s jewelry district. In 1993, at the tender age of 24, So opened the doors of her 500-square-foot flagship store on 47th Street and Fifth Avenue. Last fall, she discarded the girlish deco hodgepodge look of her shop and opted for a cleaner, more streamlined look. She’s now the mother of an infant daughter, Coco-Mei, and an established businesswoman.

COMPLETE STORY...

Year of the Ram: Chinese New Year Feature
(Feature)

Washington Journal: Is War Good for Asian Pacific Americans?
(in National News)

Cheu Steps Down as Executive Director of LGBT Center
(in Bay Area News)

U.S. Opens Door to Shanghai Club
(in Sports)

Diamonds Are a Girl's Best Friend
(in A&E)

Emil Amok: Internment? No, Harrassment is Enough
(in Opinion)

Also In Arts & Entertainment

The Hidden Landscapes of Naomi Iizuka’s Luminous 36 Views

The last time I officially interviewed playwright extraordinaire Naomi Iizuka, I hung up on her. Really, I had a good excuse: Jon Jory (for those who have been under a rock the past 30 years — he’s a major theater god who founded the country’s most important theater fest, the Humana Festival of New American Plays at the Actors Theatre of Louisville) was on the other line, ready to gush about Iizuka.

“I have nothing but vast, unending praise for Naomi,” he said. “She is one of the most important playwrights now writing in their 30s,” he insisted. Plus, he added, Iizuka is indeed the youngest playwright to have three shows produced at Humana (Polaroid Stories in 1997, Aloha, Say the Pretty Girls in 1999 and War of the Worlds in 2000). Even Iizuka couldn’t argue that it was worth the hang-up to hear that kind of adulation.

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